JOB OPPORTUNITIES We are committed to a workplace that embraces diversity and inclusion. We welcome and encourage applications from individuals from the widest possible range of backgrounds and particularly welcome applications from those currently underrepresented in our workforce. Head of Stage - MEAN GIRLS Application Deadline: 28 October 2024 View Job

< All jobs Head of Stage - MEAN GIRLS Application Deadline: 28 Oct 2024 Apply Now London, UK About the Role Sonia Friedman Productions is seeking applications for full-time, experienced Head of Stage to work on the London production of MEAN GIRLS. Book by Tina Fey, music by Jeff Richmond, lyrics by Nell Benjamin and Directed and Choreographed by Casey Nicholaw - this musical opened in the West End in June 2024. The Head of Stage will work closely with the Stage Manager, Company Manager and creative team in executing the stage needs of the production. Key responsibilities include: - Assisting in the daily running of the production, in conjunction with the Stage and Stage Management Teams - Taking responsibility for the running of the Stage Department and managing of Stage Crew, including department scheduling - Working with the Company Manager and Stage Manager to ensure the show is always full staffed and keeping the General Manager informed of the need for recruitment of additional staff or deps when necessary - Ensuring new staff are trained in the safe and competent running of the show - Carrying out stage cues including moving scenery, furniture and props - Writing up a comprehensive and easy to understand cue sheet so the show can be covered in the event of absence and compiling of these cue sheets from the rest of the department - Keeping the stage, dock and backstage areas clean and safe and ensuring entrances and exits are well-maintained and kept clear - Ensuring all staff and areas for which you are responsible adhere to health and safety regulations - Carrying out maintenance of set and prop elements informing the Stage Manager and Production Manager if further work from outside contractors is required - Working with other departments to maintain the show to the highest possible standards. Essential experience includes: - Previous senior stage role on a large-scale West End production. - Experience of managing Stage Crew - Experience running deck plots and an understanding of stage etiquette - An understanding and practical knowledge of the principles and safe working practices of theatre rigging, automation systems and set construction - Advanced stage carpentry skills - Excellent communication skills - We are committed to a workplace that embraces diversity and inclusion. We particularly welcome and encourage applications from those currently underrepresented in our workforce.

Producing your favourite shows Download CURRENT SHOWS Our current and forthcoming global productions and co-productions. ALL SHOWS OUR AWARDS 300 MAJOR AWARDS WON 63 OLIVIER AWARDS 48 TONY AWARDS 3 BAFTAs OUR STORY LEARN MORE We are an international production company responsible for some of the most successful theatre productions in the world. ​ SFP has developed, initiated and been lead producer of over 270 new productions and together the company has been responsible for winning 63 Olivier Awards, 48 Tonys and 3 BAFTAs.

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Back to Productions FATHERLAND This production began performances on 18 September and closes on 23 November 2024. ​ ​ ​ ​ Fatherland is the true story of an 18-year-old son who turned in his father to the FBI for his militant role in the January 6th attack on the U.S. Capitol. Fast-paced and powerful, Fatherland has landed off-Broadway following a sold-out Los Angeles run which the LA Times hails "will leave you shaken." This compelling tale is told verbatim from public statements, case evidence, and official court transcripts from the explosive trial that ignited a media frenzy and grabbed headlines nationwide. ​ ​ CAST Featuring RON BOTTITTA PATRICK KELEHER ANNA KHAJA LARRY POINDEXTER CREATIVES Conceived and Directed by STEPHEN SACHS JOEL DAAVID – Scenic Design ALISON BRUMMER – Lighting Design DANYELE THOMAS – Costume Design STEWART BLACKWOOD – Sound Design ERICA MILLER – Company Management KARIE KOPPEL – Casting

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Back to News & Press Production images of Rosmersholm released today Sunday, 28 April 2019 Tom Burke (Strike, The Musketeers ) plays the soulful John Rosmer haunted by history and tradition. Hayley Atwell (Howards End, Captain America ) is Rebecca West, an enigmatic and unpredictable, free-spirited heroine. Giles Terera (Hamilton , West End) is Andreas Kroll, a powerful moral voice, who struggles to reconcile his friendship to Rosmer amidst the changing political tides. Henrik Ibsen ’s classic examination of a country in state of political flux has been adapted by Duncan Macmillan and is directed by Ian Rickson . The cast also includes Lucy Briers (Wolf Hall , West End/Broadway) as Mrs Helseth, Jake Fairbrother (Lady from the Sea , Donmar Warehouse) as Peter Mortensgaard and Peter Wight ( The Birthday Party , West End) as Ulrik Brendel. An election looming. A country on the brink. A rabid press baying for blood. At the centre of the storm is Rosmersholm, the grand house of an influential dynasty. This is where the future will be decided by John Rosmer – a man torn between the idealised hope of the future and the ghosts of his past. Rosmersholm began performances at the Duke of York’s Theatre on April 24th. The production opens on May 2nd. The run will end on July 20th. Produced by Sonia Friedman Productions With Brenda Leff, Colin Callender, John Gore, Bradford W. Edgerton Living Trust, 1001 Nights Productions, Burnt Umber Productions, Tulchin Bartner Productions. Up Up

Back to News & Press Richard Coyle To Play Atticus Finch in To Kill A Mockingbird Monday, 27 June 2022 Acclaimed stage and screen actor, Richard Coyle , will return to the West End to play the iconic role of Atticus Finch in the critically acclaimed production of Harper Lee’s To Kill a Mockingbird – a new play by Aaron Sorkin , directed by Bartlett Sher . Coyle was last on the West End stage in the Olivier Award-nominated hit play, Ink . Niall Buggy (Olivier and Drama Desk Award-winner) will also join the production as Judge Taylor. Coyle and Buggy will join the original London company and begin performances from 15 August for the current booking period until 19 November at the Gielgud Theatre. Rafe Spall and Jim Norton , who are currently playing Atticus Finch and Judge Taylor respectively, will have their final performances on 13 August. Click here to book tickets for the Autumn season. Up Up

Back to News & Press Full casting announced for The Nether Monday, 17 November 2014 David Calder joins the West End cast of The Nether to play Doyle, previewing at the Duke of York’s Theatre from 30 January 2015 and opening on 23 February. Directed by Jeremy Herrin, Jennifer Haley’s critically acclaimed, multi-award-winning play is booking for 12 weeks only to 25 April 2015. In a Headlong and Royal Court Theatre co-production, The Nether is produced in the West End by Sonia Friedman Productions and Scott M Delman in association with Tulchin Bartner Productions, Lee Dean & Charles Diamond, 1001 Nights, JFL Theatricals/GHF Productions, Scott & Brian Zeilinger/James Lefkowitz. Calder joins original cast members Amanda Hale (Morris), Ivanno Jeremiah (Woodnut) and Stanley Townsend (Sims) who are joined by Zoe Brough and Isabella Pappas who will alternate the role of Iris as they did at the Royal Court. Set designs are by Es Devlin, with costume designs by Christina Cunningham, lighting by Paul Pyant, compositions by Nick Powell, sound by Ian Dickinson and video design by Luke Halls. The Nether offers complete freedom – a new virtual wonderland providing total sensory immersion. Just log in, choose an identity and indulge your every desire. An intricate crime drama and a haunting thriller set in the year 2050, The Nether follows an investigation into the complicated, disturbing morality of identity in the digital world, and explores the consequences of making dreams a reality. With 100 tickets available at each performance at £20.50 and Royal Court pricing throughout the preview period, The Nether, winner of the 2012 Susan Smith Blackburn Prize, opened at the Royal Court Theatre in July this year where it played to sell-out audiences. Haley’s play received its world premiere in Spring 2013 produced by the Center Theatre Group at the Kirk Douglas Theatre in Los Angeles and won her an Ovation Award for Best Original Play and an L.A. Drama Critics Circle Award for Writing. David Calder’s more recent theatre credits include The Doctor’s Dilemma, Hamlet and Marat Sade for the National Theatre, Home for the Theatre Royal Bath, the title role in King Lear for Shakespeare’s Globe, Rock ‘n’ Roll at the Duke of York’s Theatre, The Merchant of Venice for Royal Shakespeare Company, Five Gold Ring’s for the Almeida Theatre and Little Foxes for the Donmar Warehouse. His more recent television credits include Cuckoo, Casualty, Utopia S2, Houdini, The Wrong Mans, Mr Selfridge, Lewis, Titanic, Edward VIII: The Plot to Topple a King and New Tricks. His film credits include Queen of the Desert, Rush, United, Red Riding 1980, The Mummy: Tomb of the Dragon Emperor, Goya's Ghosts and Perfume. Amanda Hale was most recently seen on stage in Jagged Edge’s production of Uncle Vanya at the St James Theatre. Her previous theatre credits include Wastwater and The City for the Royal Court, King Lear and Elektra for Headlong and the Young Vic, The House of Bernarda Alba for the Almeida Theatre, Our Class for the National Theatre, The Importance of Being Earnest for Oxford Playhouse, After Dido for the Young Vic and Pornography for Birmingham Rep/Traverse Theatre. Her extensive television credits include Dates, The White Queen, Ripper Street, Rev, Being Human, Spooks, Richard is My Boyfriend and Persuasion. Her film credits include The Invisible Woman, The Look of Love and Bright Star. Ivanno Jeremiah’s theatre credits include Truth and Reconciliation for the Royal Court, Julius Caesar for the Royal Shakespeare Company, As You Like It for the West Yorkshire Playhouse, Welcome Home at the Pleasance and the international tour of The Suit. His television credits include Humans, The Hollow Crown, The Jury II and Injustice. On film his credits include Julius Caesar, Papadopoulos & Sons and The Veteran. Stanley Townsend’s theatre credits include Tribes, The Alice Trilogy, The Shining City, Under the Blue Sky and The Weir all for the Royal Court, King Lear, Phèdre, Gethsemane, Happy Now, Remember This and Guys and Dolls all for the National Theatre, Broken Glass at the Tricycle and in the West End and A View from a Bridge at the Lyceum, Edinburgh. His extensive television credits include the recent series of 24: Live Another Day opposite Kiefer Sutherland, as well as Quirke, The Shadow Line, Ripper Street, Toast, Sherlock Holmes, Ashes to Ashes, Hustle, Spooks, Fleming, Mad Dogs , Whistleblower, New Worlds, The Virgin Queen, Fresh Meat and Appropriate Adult. On film his credits include The Voices, One Chance, Happy Go Lucky and The Libertine. Zoe Brough and Isabella Pappas made their professional stage debuts in The Nether at the Royal Court Theatre. Jennifer Haley’s other writing includes Neighborhood 3: Requisition of Doom, which premiered at the Actors Theatre of Louisville at the 2008 Humana Festival, Breadcrumbs for the Contemporary American Theatre Festival and Sustainable Living written in the 2011-2012 CTG Writers’ Workshop and featured at the Ojai Playwrights Conference. Her play Froggy is in development with The Banff Centre and American Conservatory Theater. Haley’s plays have been developed at the Sundance Theatre Lab, the O’Neill National Playwrights Conference, the Lark Play Development Center, PlayPenn, Page 73 and the MacDowell Colony. She is a member of New Dramatists in New York City and lives in Los Angeles where she founded a writing collective called the Playwrights Union. The Nether was the first play Jeremy Herrin directed for Headlong as Artistic Director. Previously he was Deputy Artistic Director of the Royal Court Theatre from 2009 until 2012 where his credits included No Quarter, Hero, Haunted Child, The Heretic, Kin, Spur of the Moment, Off the Endz, The Priory, Tusk Tusk, The Vertical Hour and That Face. Herrin directed the world premieres of Hilary Mantel’s Man Booker prize-winning novels Wolf Hall and Bring Up the Bodies in two parts for the Royal Shakespeare Company – the productions transferred to the West End in May 2014 and will open on Broadway in March next year. His other recent credits include Another Country, Uncle Vanya and South Downs for Chichester Festival Theatre all of which transferred to the West End, This House for the National Theatre, Absent Friends at the Harold Pinter Theatre and The Tempest and Much Ado About Nothing for Shakespeare’s Globe. Herrin’s production of David Hare’s The Absence of War will open at Sheffield Theatres in February 2015 prior to a UK tour. The Nether is the latest in a number of collaborations between Sonia Friedman Productions and the Royal Court Theatre (Rock ‘n’ Roll, Clybourne Park, Jerusalem in the West End and The River on Broadway) and Headlong (1984 and Chimerica). Development of The Nether was supported by the Eugene O’Neill Theater Center during a residency at the National Playwrights Conference 2011, Preston Whiteway, Executive Director; Wendy Goldberg, Artistic Director. For more information visit thenetherplay.co.uk Up Up